Audio-Technica ATH-M50x
Wired & Studio
$159

Audio-Technica

Audio-Technica ATH-M50x

4.7(27,200 reviews)

The M50x has been the default first studio headphone recommendation for over a decade, and it mostly earns it. At 38 ohms and 99dB sensitivity it runs happily from a phone dongle or laptop — no amp needed. The tuning is punchy rather than flat: a mid-bass bump and forward treble that flatter hip-hop and electronic more than they serve critical mixing. What owners actually rave about is the build — these fold flat, shrug off years of backpack abuse, and take three detachable cables. The coiled cable is the classic complaint: it's heavy enough to tug on your head, so most people live on the straight ones. The pleather earpads run hot, clamp firmly on larger heads, and start flaking around year two or three; replacements are cheap and considered routine maintenance by long-term owners.

Price
$159
Best For
first serious studio headphone buyers

Specifications

Driver Size
45 mm
Weight
285 g
Type
Wired & Studio
Noise Cancelling
None
Wireless Charging
No
Transparency Mode
No
Spatial Audio
No
App EQ
No
Model
ATH-M50x

Highlights

Legendary durability and folding designPunchy bass-forward studio tuningThree detachable cables included

Pros

  • Runs happily from a phone dongle at 38 ohms
  • Legendary durability — years of backpack abuse, still working
  • Folds flat with three detachable cables included
  • Punchy tuning flatters hip-hop and electronic
  • Cheap replacement pads make it effectively immortal
  • Decade-plus default first studio headphone for a reason

Cons

  • Coiled cable is heavy enough to tug your head
  • Pleather pads run hot and flake by year two
  • Clamp is firm on larger heads
  • Mid-bass bump and forward treble aren't mixing-flat
  • Trails the DT 770 for long-session comfort

Compare the Audio-Technica ATH-M50x

Sennheiser HD 599 SE
$160
Wired & Studio
4.6(10,500)

The HD 599 SE is the Amazon-exclusive black version of Sennheiser's long-running open-back, and it's the classic gateway into open-back listening. At 50 ohms with high sensitivity it runs fine straight from a laptop or phone dongle — no amp required, despite what forums imply. The sound is warm, smooth, and wide, with relaxed treble that's easy for hours; bass rolls off at the bottom like most open-backs, and everyone around you hears your music, so it's a quiet-room headphone only. At 250g with velour pads, comfort is superb even for glasses wearers. Two cables (6.3mm and 3.5mm) are included. Pricing is the thing to know: it lists around $160 but has dropped to roughly $100 many times, so patient buyers should never pay full price. Pads and cables are replaceable.

Wide, airy open-back soundstageEasy to drive at 50 ohmsLightweight 250g velour comfort
38mm drivers
Best for: relaxed at-home open-back listening
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Beyerdynamic DT 770 Pro (80 Ohm)
$149
Wired & Studio
4.8(20,000)

The DT 770 Pro's velour earpads and gentle clamp make it the comfort benchmark among closed studio headphones — people track drums in these for eight-hour days. The 80-ohm version is the sweet spot for home studios, but be honest about power: a phone or thin laptop jack will get it loud-ish, while an audio interface or small amp is what brings the bass control and volume headroom it's built for. The tuning is V-shaped for a monitor: elevated lows, slightly recessed mids, and a treble spike around 8kHz that bothers treble-sensitive listeners. Isolation is excellent for tracking. The build is famously serviceable — every part is replaceable — but the 3-meter cable is hard-wired and non-detachable, which feels dated at this price. Made in Germany and commonly seen still working after 15 years.

Plush velour earpads, all-day comfortExcellent isolation for tracking vocalsBuilt like a German tank
45mm drivers
Best for: long tracking sessions and drummers
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Sony MDR-7506
$98
Wired & Studio
4.7(26,000)

The MDR-7506 has been hanging in broadcast booths and video rigs since 1991, and almost nothing about it has changed — including the flaws. At 63 ohms and 106dB/mW it's sensitive enough that any camera, mixer, or phone drives it fine without an amp. The sound is bright and detail-forward: sibilance, hum, and edit points jump out, which is exactly why engineers love it and casual listeners sometimes find it fatiguing. The 230g folding frame is featherweight for all-day wear. Two gripes come up constantly: the 3-meter coiled cable is permanently attached and heavy for desk use, and the stock earpads famously disintegrate into black flakes within a year or two — nearly every long-term owner ends up buying aftermarket pads and considers it part of the price.

Broadcast industry standard since 1991Featherweight 230g folding buildHonest, detail-forward monitoring sound
40mm drivers
Best for: podcasters and field recording pros
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